{"id":17441,"date":"2024-05-25T07:36:36","date_gmt":"2024-05-24T22:36:36","guid":{"rendered":"https:\/\/origami.jp\/?post_type=magazine&p=17441"},"modified":"2025-05-19T15:15:41","modified_gmt":"2025-05-19T06:15:41","slug":"issue205","status":"publish","type":"magazine","link":"https:\/\/origami.jp\/en\/magazine\/issue205\/","title":{"rendered":"issue#205"},"content":{"rendered":"
\r\n
\r\n \r\n \"Grumman\r\n
\r\n Grumman F6F Hellcat : MINAMIJIMA Kazuhide<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Grumman\r\n
\r\n Grumman F6F Hellcat : MINAMIJIMA Kazuhide<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Acorn\r\n
\r\n Acorn Box : KARIYA Tomoya<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Acorn\r\n
\r\n Acorn Box : KARIYA Tomoya<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Acorn\r\n
\r\n Acorn Box : KARIYA Tomoya<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Zuul\r\n
\r\n Zuul : TOMINAGA Kazuhiro<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Zuul\r\n
\r\n Zuul : TOMINAGA Kazuhiro<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Triangular\r\n
\r\n Triangular Unit Model A : FUSE Tomoko<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Triangular\r\n
\r\n Triangular Unit Model with Concavity : FUSE Tomoko<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n <\/div>\r\n\n\n\n

Diagrams<\/h3>\n\n\n\n
    \n
  • Zuul<\/strong> by Tominaga Kazuhiro<\/li>\n\n\n\n
  • Modular Origami Quartette : Triangular Unit Model A,B,C<\/strong>, Triangular Unit Model with Concavity<\/strong> by Fuse Tomoko<\/li>\n\n\n\n
  • Origami Odds and Ends : Acorn Box<\/strong> by Kariya Tomoya<\/li>\n<\/ul>\n\n\n\n

    Crease Pattern<\/h3>\n\n\n\n
      \n
    • Grumman F6F Hellcat<\/strong> by Minamijima Kazuhide<\/li>\n<\/ul>\n\n\n\n

      Articles<\/h3>\n\n\n\n
        \n
      • Close-up : A Prologue: Deciphering Kodama Materials<\/strong> by Matsuura Eiko<\/li>\n\n\n\n
      • Here We Are, THE ORRRIGAMI TANTEIDAN : A Wondrous Ballpoint Pen, SwitchPen, with Folding Patterns Appearing in an Instant – Interview on the Development Story<\/strong> by Mitani Jun<\/li>\n\n\n\n
      • From the Bookshelves of the JOAS Library : \u201cCompendium of Origami\u201d (Kawai Toyoaki)<\/strong> by Kariyazono Kango<\/li>\n\n\n\n
      • Paper Folders on File : Gotani Tetsuya<\/strong> by editor<\/li>\n<\/ul>\n\n\n\n

        Origami Photo Gallery<\/h3>\n\n\n\n
          \n
        • Models Based on Diagrams and CreasePatterns of This Issue<\/strong><\/li>\n\n\n\n
        • Origami Works by Katsuzaki Yuta<\/strong><\/li>\n\n\n\n
        • From the Regular Meetings<\/strong><\/li>\n<\/ul>\n\n\n\n

          Columns<\/h3>\n\n\n\n
            \n
          • Origami and Its Neighbors<\/strong> by Fuse Tomoko<\/li>\n\n\n\n
          • Makoto or Not?: Memoirs<\/strong> by Yamaguchi Makoto<\/li>\n\n\n\n
          • Orisuzi (\u201cFold-Creases\u201d)<\/strong> by Nakamura Kosuke<\/li>\n\n\n\n
          • One Thousand and One Nights of Origami<\/strong> by Maekawa Jun<\/li>\n<\/ul>\n\n\n\n

            Information<\/h3>\n\n\n\n
              \n
            • Rabbit Ear<\/li>\n<\/ul>\n\n\n\n

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