{"id":18769,"date":"2024-11-25T07:47:54","date_gmt":"2024-11-24T22:47:54","guid":{"rendered":"https:\/\/origami.jp\/?post_type=magazine&p=18769"},"modified":"2025-05-19T15:14:41","modified_gmt":"2025-05-19T06:14:41","slug":"issue208","status":"publish","type":"magazine","link":"https:\/\/origami.jp\/en\/magazine\/issue208\/","title":{"rendered":"Issue#208"},"content":{"rendered":"
\r\n
\r\n \r\n \"Succubus\r\n
\r\n Succubus : HAN Ji Woo<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Mask\r\n
\r\n Mask of Tutankhamun : TOYOMURA Takashi<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Mask\r\n
\r\n Mask of Tutankhamun : TOYOMURA Takashi<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Red-Clawed\r\n
\r\n Red-Clawed Crab : NAMAI Toshikazu<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Red-Clawed\r\n
\r\n Red-Clawed Crab : NAMAI Toshikazu<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Kiwi\r\n
\r\n Kiwi : ENOMOTO Masayoshi<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Kiwi\r\n
\r\n Kiwi : ENOMOTO Masayoshi<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Gook&Flip\r\n
\r\n Gook&Flip : KAWAMURA Miyuki<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Linie\r\n
\r\n Linie : KAWAMURA Miyuki<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n <\/div>\r\n\n\n\n

Diagrams<\/h3>\n\n\n\n
    \n
  • Red-Clawed Crab<\/strong> by Namai Toshikazu<\/li>\n\n\n\n
  • Modular Origami Quartette : Hook&Flip, Linie<\/strong> by Kawamura Miyuki<\/li>\n\n\n\n
  • Origami Odds and Ends : Kiwi<\/strong> by Enomoto Masayoshi<\/li>\n<\/ul>\n\n\n\n

    Crease Pattern<\/h3>\n\n\n\n
      \n
    • Mask of Tutankhamun<\/strong> by Toyomura Takashi<\/li>\n<\/ul>\n\n\n\n

      Articles<\/h3>\n\n\n\n
        \n
      • Close-up : Report on Origami Bridging Art, Science & Industry 2024<\/strong> by Tachi Tomohiro<\/li>\n\n\n\n
      • Here We Are, THE ORRRIGAMI TANTEIDAN : Reports on the 14th Korea Origami Convention<\/strong> by Katsuta Kyohei and Katsuzaki Yuta<\/li>\n\n\n\n
      • From the Bookshelves of the JOAS Library : \u201cOrigami Works of Kyohei Katsuta 2\u201d<\/strong> by Kariyazono Kango<\/li>\n\n\n\n
      • Paper Folders on File : Sato Yuki<\/strong> by Editor<\/li>\n<\/ul>\n\n\n\n

        Origami Photo Gallery<\/h3>\n\n\n\n
          \n
        • Models Based on Diagrams and CreasePatterns of This Issue<\/strong><\/li>\n\n\n\n
        • Origami Works by Imai Yudai<\/strong><\/li>\n<\/ul>\n\n\n\n

          Columns<\/h3>\n\n\n\n
            \n
          • Origami and Its Neighbors<\/strong> by Fuse Tomoko<\/li>\n\n\n\n
          • Makoto or Not?: Memoirs<\/strong> by Yamaguchi Makoto<\/li>\n\n\n\n
          • Orisuzi (\u201cFold-Creases\u201d)<\/strong> by Mitsuda Shigeru<\/li>\n\n\n\n
          • One Thousand and One Nights of Origami<\/strong> by Maekawa Jun<\/li>\n<\/ul>\n\n\n\n

            Information<\/h3>\n\n\n\n
              \n
            • Rabbit Ear<\/li>\n<\/ul>\n\n\n\n

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