{"id":18997,"date":"2025-01-25T07:16:15","date_gmt":"2025-01-24T22:16:15","guid":{"rendered":"https:\/\/origami.jp\/?post_type=magazine&p=18997"},"modified":"2025-05-19T15:00:30","modified_gmt":"2025-05-19T06:00:30","slug":"issue209","status":"publish","type":"magazine","link":"https:\/\/origami.jp\/en\/magazine\/issue209\/","title":{"rendered":"Issue#209"},"content":{"rendered":"
\r\n
\r\n \r\n \"\"\r\n
\r\n <\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Succubus\r\n
\r\n Succubus : HAN Ji Woo<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Succubus\r\n
\r\n Succubus : HAN Ji Woo<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Hina\r\n
\r\n Hina Doll 2019 : KAMEI Kohe<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Hina\r\n
\r\n Hina Doll 2019 : KAMEI Kohe<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Hina\r\n
\r\n Hina Doll 2019 : KAMEI Kohe<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Deep\r\n
\r\n Deep Sea Cube : KAWASAKI Toshikazu<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Octahedron\r\n
\r\n Octahedron Magma : KAWASAKI Toshikazu<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Penguin\r\n
\r\n Penguin : NAKAMURA Kosuke<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Penguin\r\n
\r\n Penguin : NAKAMURA Kosuke<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n <\/div>\r\n\n\n\n

Diagrams<\/h3>\n\n\n\n
    \n
  • Hina Doll 2019<\/strong> by Kamei Kohe<\/li>\n\n\n\n
  • Modular Origami Quartette : Octahedron Magma, Deep Sea Cube<\/strong> by Kawasaki Toshikazu<\/li>\n\n\n\n
  • Origami Odds and Ends : Penguin<\/strong> by Nakamura Kosuke<\/li>\n<\/ul>\n\n\n\n

    Crease Pattern<\/h3>\n\n\n\n
      \n
    • Succubus<\/strong> by Han Ji Woo<\/li>\n<\/ul>\n\n\n\n

      Articles<\/h3>\n\n\n\n
        \n
      • Close-up : Through Writing Articles for \u201cOrigami Encyclopedia\u201d<\/strong> by Nakamura Tomoharu<\/li>\n\n\n\n
      • Here We Are, THE ORRRIGAMI TANTEIDAN : \u201cOrigami,\u201d the First Japanese Film to Win a Student Academy Award. – Behind-the-scenes production interview<\/strong> by Mitani Jun<\/li>\n\n\n\n
      • From the Bookshelves of the JOAS Library : \u201cOrigami in its Purest Form\u201d<\/strong>(Uchiyama Kosho<\/strong>) by Kariyazono Kango<\/li>\n\n\n\n
      • Paper Folders on File : Tominaga Kazuhiro<\/strong> by Editor<\/li>\n<\/ul>\n\n\n\n

        Origami Photo Gallery<\/h3>\n\n\n\n
          \n
        • Models Based on Diagrams and CreasePatterns of This Issue<\/strong><\/li>\n\n\n\n
        • Origami Works by Gotani Tetsuya<\/strong><\/li>\n<\/ul>\n\n\n\n

          Columns<\/h3>\n\n\n\n
            \n
          • Origami and Its Neighbors<\/strong> by Fuse Tomoko<\/li>\n\n\n\n
          • Makoto or Not?: Memoirs<\/strong> by Yamaguchi Makoto<\/li>\n\n\n\n
          • Orisuzi (\u201cFold-Creases\u201d)<\/strong> by Hatta Yuki<\/li>\n\n\n\n
          • One Thousand and One Nights of Origami<\/strong> by Maekawa Jun<\/li>\n<\/ul>\n\n\n\n

            Information<\/h3>\n\n\n\n
              \n
            • Rabbit Ear<\/li>\n<\/ul>\n\n\n\n

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