{"id":20805,"date":"2026-01-25T07:12:43","date_gmt":"2026-01-24T22:12:43","guid":{"rendered":"https:\/\/origami.jp\/?post_type=magazine&p=20805"},"modified":"2026-01-25T07:12:44","modified_gmt":"2026-01-24T22:12:44","slug":"issue215","status":"publish","type":"magazine","link":"https:\/\/origami.jp\/en\/magazine\/issue215\/","title":{"rendered":"Issue#215"},"content":{"rendered":"
\r\n
\r\n \r\n \"Horse\r\n
\r\n Horse : OUCHI Koji<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Panda\r\n
\r\n Panda : NISHIKAWA Seiji<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Chopstick\r\n
\r\n Chopstick Envelope (Crane & Turtle) : INAYOSHI Hodehisa<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Chrysophora\r\n
\r\n Chrysophora chrysochlora : KIM Young Woong<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n
\r\n \r\n \"Chrysophora\r\n
\r\n Chrysophora chrysochlora : KIM Young Woong<\/span>\r\n <\/div>\r\n <\/a>\r\n <\/figure>\r\n <\/div>\r\n\n\n\n

Diagrams<\/h3>\n\n\n\n
    \n
  • Horse<\/strong><\/strong> by Ouchi Koji<\/li>\n\n\n\n
  • Origami Treasure Box : Chopstick Envelope (Crane & Turtle)<\/strong> by Inayoshi Hidehisa<\/li>\n\n\n\n
  • Origami Odds and Ends : Panda<\/strong> by Nishikawa Seiji<\/li>\n<\/ul>\n\n\n\n

    Crease Pattern<\/h3>\n\n\n\n
      \n
    • Chrysophora chrysochlora<\/strong> by Kim Young Woong<\/li>\n<\/ul>\n\n\n\n

      Articles<\/h3>\n\n\n\n
        \n
      • The Current State of Origami Studies : Origami Bridges Art, Science and Industrial Innovation<\/strong> by Tachi Tomohiro<\/li>\n\n\n\n
      • Here We Are, THE ORRRIGAMI TANTEIDAN : The Korean First\/Second Generation Team Jointly Attends the Nagoya Convention for the First Time<\/strong> by Kim Dong Hyeon<\/li>\n\n\n\n
      • From the Bookshelves of the JOAS Library : \u201cMai-Mai’s The Best Yuru-Kawa (Cute and Cool)! Origami\u201d (Imai Yudai)<\/strong> by Kariyazono Kango<\/li>\n\n\n\n
      • Paper Folders on File : Katsuzaki Yuta<\/strong> by Edior<\/li>\n<\/ul>\n\n\n\n

        Origami Photo Gallery<\/h3>\n\n\n\n
          \n
        • Models Based on Diagrams and CreasePatterns of This Issue<\/strong><\/li>\n\n\n\n
        • Long-Dormant Works of Kasahara Kunihiko<\/strong><\/li>\n<\/ul>\n\n\n\n

          Columns<\/h3>\n\n\n\n
            \n
          • Origami and Its Neighbors<\/strong> by Fuse Tomoko<\/li>\n\n\n\n
          • Orisuzi (\u201cFold-Creases\u201d)<\/strong> by Yamazaki Masato<\/li>\n\n\n\n
          • Origami-Zanmai (This Origami and That)<\/strong> by Nishikawa Seiji<\/li>\n<\/ul>\n\n\n\n

            Information<\/h3>\n\n\n\n
              \n
            • Rabbit Ear<\/li>\n<\/ul>\n\n\n\n

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